Books + Brews Book Club

1975 is a time of change in America. The Vietnam War is ending. Muhammad Ali is fighting Joe Frazier. And in the small town of Monta Clare, Missouri, girls are disappearing. When the daughter of a wealthy family is targeted, the most unlikely hero emerges--Patch, a local boy, who saves the girl, and, in doing so, leaves heartache in his wake. Patch and those who love him soon discover that the line between triumph and tragedy has never been finer. And that their search for answers will lead them to truths that could mean losing one another. A missing person mystery, a serial killer thriller, a love story, a unique twist on each, Chris Whitaker has written a novel about what lurks in the shadows of obsession and the blinding light of hope.

When Barbara Van Laar is discovered missing from her summer camp bunk one morning in August 1975, it triggers a panicked, terrified search. Losing a camper is a horrific tragedy under any circumstances, but Barbara isn't just any camper, she's the daughter of the wealthy family who owns the camp--as well as the opulent nearby estate, and most of the land in sight. And this isn't the first time a Van Laar child has disappeared in this region: Barbara's older brother also went missing 16 years earlier, never to be found. How could this have happened yet again? Out of this gripping beginning, Liz Moore weaves a richly textured drama, both emotionally nuanced and propelled by a double-barreled mystery. Chasing down the layered secrets of the Van Laar family and the community working in its shadow, Moore's multi-threaded drama brings readers into the hearts of characters whose lives are forever changed by this eventful summer: Barbara's wounded, grieving mother; the "townie" whose family makes a living off this land; the 13-year-old camper struggling to find her way; and the outsider tasked with seeing the bigger picture, and uncovering the truth.

Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother's plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father's life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past--toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed.

Jen has dumped Andy, and he's handling the breakup in exactly the way all his friends and family might have expected: very, very badly. Crashing at his mother's house and obsessively photographing his hairline, Andy embraces the rites and rituals of every breakup-the ill-advised decision to move onto a houseboat, the forced merriment of a lads' night out, the accidental late-night text to the ex-all resulting in a never-ending shame spiral. Even as Andy tests the waters of a new relationship, he finds himself drawn back to Jen, revisiting old texts and emails, trying to figure out what truly went wrong.

A bold, evocative new novel from the National Book Foundation 5 Under 35 and Betty Trask Award winner Isabella Hammad that follows actress Sonia as she returns to Palestine and takes a role in a West Bank production of Hamlet. After years away from her family's homeland, and healing from an affair with an established director, stage actress Sonia Nasir returns to Palestine to visit her older sister Haneen. Though the siblings grew up spending summers at their family home in Haifa, Sonia hasn't been since the second intifada and the deaths of her grandparents. While Haneen stayed and made a life commuting to Tel Aviv to teach at the university, Sonia remained in London to focus on her burgeoning acting career and now dissolute marriage. On her return, she finds her relationship to Palestine is fragile, both bone-deep and new. Once at Haneen's, Sonia meets the charismatic and candid Mariam, a local director, and finds herself roped into a production of Hamlet in the West Bank. Soon, Sonia is rehearsing Gertrude's lines in Classical Arabic and spending more time in Ramallah than in Haifa with a dedicated group of men from all over historic Palestine who, in spite of competing egos and priorities, each want to bring Shakespeare to that side of the wall. As opening night draws closer it becomes clear just how many invasive and violent obstacles stand before a troupe of Palestinian actors. Amidst it all, the life Sonia once knew starts to give way to the daunting, exhilarating possibility of finding a new self in her ancestral home. A stunning rendering of present-day Palestine, Enter Ghost is a story of diaspora, displacement, and the connection to be found in family and shared resistance. Timely, thoughtful, and passionate, Isabella Hammad's highly anticipated second novel is an exquisite feat, an unforgettable story of artistry under occupation.

Set in a not-too-distant America, I Cheerfully Refuse is the tale of a bereaved and pursued musician embarking under sail on a sentient Lake Superior in search of his departed, deeply beloved, bookselling wife. Rainy, an endearing bear of an Orphean narrator, seeks refuge in the harbors, fogs, and remote islands of the inland sea. Encountering lunatic storms and rising corpses from the warming depths, Rainy finds on land an increasingly desperate and illiterate people, a malignant billionaire ruling class, crumbled infrastructure, and a lawless society. Amid the Gulliver-like challenges of life at sea and no safe landings, Rainy is lifted by physical beauty, surprising humor, generous strangers, and an unexpected companion in a young girl who comes aboard. And as his innate guileless nature begins to make an inadvertent rebel of him, Rainy's private quest for the love of his life grows into something wider and wilder, sweeping up friends and foes alike in his strengthening wake. I Cheerfully Refuse epitomizes the "musical, sometimes magical and deeply satisfying kind of storytelling" (Los Angeles Times) for which Leif Enger is cherished. A rollicking narrative in the most evocative of settings, this latest novel is a symphony against despair and a rallying cry for the future.

What's the harm in a pseudonym? Bestselling sensation Juniper Song is not who she says she is, she didn't write the book she claims she wrote, and she is most certainly not Asian American--in this chilling and hilariously cutting novel from the #1 New York Times bestselling author R. F. Kuang in the vein of White Ivy and The Other Black Girl. Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her.

An award-winning writer of absorbing, sophisticated fiction delivers a stylish and propulsive novel rooted in early 20th century New York, about wealth and talent, trust and intimacy, truth and perception. In glamorous 1920s New York City, two characters of sophisticated taste come together. One is a legendary Wall Street tycoon; the other, the brilliant daughter of penniless aristocrats. Steeped in affluence and grandeur, their marriage excites gossip and allows a continued ascent--all at a moment when the country is undergoing a great transformation. This is the story at the center of Harold Vanner's novel Bonds, which everyone in 1938 New York seems to have read. But it isn't the only version. Provocative, propulsive, and repeatedly surprising, Hernan Diaz's Trust puts the story of these characters into conversation with the "the truth"--and in tension with the life and perspective of an outsider immersed in the mystery of a competing account. The result is an overarching novel that becomes more exhilarating and profound with each new layer and revelation, engaging the reader in a treasure hunt for the truth that confronts the reality-warping gravitational pull of money, and how power often manipulates facts.

It's been a minute--or five years--since Jordan Vargas last saw his college friends, and twenty-eight years since their graduation when their adult lives officially began. Now Jordan, Jordy, Naomi, Craig, and Marielle find themselves at the brink of a new decade, with all the responsibilities of adulthood, yet no closer to having their lives figured out. Though not for a lack of trying. Over the years they've reunited in Big Sur to honor a decades-old pact to throw each other living "funerals," celebrations to remind themselves that life is worth living--that their lives mean something, to one another, if not to themselves. But this reunion is different. They're not gathered as they were to bolster Marielle as her marriage crumbled, to lift Naomi after her parents died, or to intervene when Craig pleaded guilty to art fraud. This time, Jordan is sitting on a secret that will upend their pact. A deeply honest tribute to the growing pains of selfhood and the people who keep us going, coupled with Steven Rowley's signature humor and heart, The Celebrants is a moving tale about the false invincibility of youth and the beautiful ways in which friendship helps us celebrate our lives, even amid the deepest challenges of living.

Seventeen-year-old Victoria Nash runs the household on her family's peach farm in the small ranch town of Iola, Colorado--the sole surviving female in a family of troubled men. Wilson Moon is a young drifter with a mysterious past, displaced from his tribal land and determined to live as he chooses. Victoria encounters Wilson by chance on a street corner, a meeting that profoundly alters both of their young lives, unknowingly igniting as much passion as danger. When tragedy strikes, Victoria leaves the only life she has ever known. She flees into the surrounding mountains where she struggles to survive in the wilderness with no clear notion of what her future will bring. As the seasons change, she also charts the changes in herself, finding in the beautiful but harsh landscape the meaning and strength to move forward and rebuild all that she has lost, even as the Gunnison River threatens to submerge her homeland--its ranches, farms, and the beloved peach orchard that has been in her family for generations. Inspired by true events surrounding the destruction of the town of Iola in the 1960s, Go as a River is a story of deeply held love in the face of hardship and loss, but also of finding courage, resilience, friendship, and, finally, home--where least expected. This stunning debut explores what it means to lead your life as if it were a river--gathering and flowing, finding a way forward even when a river is dammed.